INDUMENTARIA, CONVENCIONES Y MODERNIDAD: BERNARD RUDOFSKY EN EL MOMA
Barra lateral del artículo
Publicado:
abr 30, 2021
Palabras clave:
MoMA
Vestuario
Rudofsky
Exposición
International Style
Sección
Dossier
Contenido principal del artículo
Resumen
Este articulo presenta el debate entre la formulacion de la exposicion de Bernard Rudofsky para el Museo de Arte Moderno de Nueva York en 1944 y las propuestas originales del arquitecto. Por medio del analisis de las cartas enviadas durante la organizacion y curatori de la muestra, la investigacion que hubo tras ella y las piezas que no lograron ser parte de la misma, es posible concluir que la exhibicion termina ajustandose a las convenciones que la arquitectura moderna planteaba y que precisamente Rudofsky se esforzaba en criticar. En la muestra se establece un dialogo entre indumentaria y cuerpo racionalizado, el que resulto fundamental durante el critico periodo que siguio a la Segunda Guerra Mundial.
Detalles del artículo
Puig Gómez, A. (2021). INDUMENTARIA, CONVENCIONES Y MODERNIDAD: BERNARD RUDOFSKY EN EL MOMA. Materia Arquitectura, (19), 71–83. https://doi.org/10.56255/ma.v0i19.438
Descargas
Los datos de descargas todavía no están disponibles.
Citas
BERNSTEIN, A. (1944). Personal Correspondence to B. Rudofsky. Are Clothes Modern?: General Correspondence. The Museum of Modern Art Exhibition Records, 269. 3. The Museum of Modern Art Archives, New York.
EDWARDS, L. (2018). How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. Bloomsbury.
EVANS, C. (2013). The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900-1929. Yale University Press.
GREEN, S. (2013). The Public Lives of Charlotte and Marie Stopes. Pickering & Chatto.
MARCUS, N. (1940). Are Clothes Modern?: Correspondence: Last Sections The Museum of Modern Art Exhibition Records , 269. 6. The Museum of Modern Art Archives, New York.
MOMA. (1932). Modern Architecture. International Exhibition. Museum of Modern Art.
MOMA. (1944). Press Release. Tradition challenged in Museum of Modern art Exhibition, Are Clothes Modern? Recuperado de www.moma.org/documents/ moma_press-release_325448.pdf
NIEMAN, M. (1940). Are Clothes Modern?: Correspondence: Last Sections Series Folder 269. 6. The Museum of Modern Art Archives, Nueva York.
RUDOFSKY, B. (1947). Are Clothes Modern? An Essay on Contemporary Apparel. Paul Theobald.
RUDOFSKY, B. (1986). The Unfashionable Human Body. Prentice Hall.
SCOTT, F. (1999). Underneath Aesthetics and Utility: The Untransposable Fetish of
Bernard Rudofsky. Assemblage, (38), 59-89. https://doi.org/10.2307/3171248
WOMEN ?S BUREAU – U.S. DEPARTMENT OF LABOR. (1941). Are Clothes Modern?: Correspondence: Last Sections. The Museum of Modern Art Exhibition Records, 269. 6. The Museum of Modern Art Archives, New York.
WOOD, M. (Ed.). (1989). We Wore What We’d Got: Women’s Clothes in World War II. Warwickshire Books.
EDWARDS, L. (2018). How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. Bloomsbury.
EVANS, C. (2013). The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900-1929. Yale University Press.
GREEN, S. (2013). The Public Lives of Charlotte and Marie Stopes. Pickering & Chatto.
MARCUS, N. (1940). Are Clothes Modern?: Correspondence: Last Sections The Museum of Modern Art Exhibition Records , 269. 6. The Museum of Modern Art Archives, New York.
MOMA. (1932). Modern Architecture. International Exhibition. Museum of Modern Art.
MOMA. (1944). Press Release. Tradition challenged in Museum of Modern art Exhibition, Are Clothes Modern? Recuperado de www.moma.org/documents/ moma_press-release_325448.pdf
NIEMAN, M. (1940). Are Clothes Modern?: Correspondence: Last Sections Series Folder 269. 6. The Museum of Modern Art Archives, Nueva York.
RUDOFSKY, B. (1947). Are Clothes Modern? An Essay on Contemporary Apparel. Paul Theobald.
RUDOFSKY, B. (1986). The Unfashionable Human Body. Prentice Hall.
SCOTT, F. (1999). Underneath Aesthetics and Utility: The Untransposable Fetish of
Bernard Rudofsky. Assemblage, (38), 59-89. https://doi.org/10.2307/3171248
WOMEN ?S BUREAU – U.S. DEPARTMENT OF LABOR. (1941). Are Clothes Modern?: Correspondence: Last Sections. The Museum of Modern Art Exhibition Records, 269. 6. The Museum of Modern Art Archives, New York.
WOOD, M. (Ed.). (1989). We Wore What We’d Got: Women’s Clothes in World War II. Warwickshire Books.
Artículos más leídos del mismo autor/a
- Anita Puig Gómez, Clothes, conventions and modernity. Rudofsky ?s exhibition at the MoMA , Materia Arquitectura: Núm. 19 (2020): Materia Arquitectura 19 (Agosto/August 2020)